The WisCon Chronicles (Vol 2): Provocative essays on feminism, race, revolution, and the future
edited by L. Timmel Duchamp and Eileen Gunn
Provocative essays on feminism, race, revolution, and the future.
Remember WisCon 31?
The world's leading feminist sf convention just won't fit into Memorial Day weekend. Some forty contributors—too many to list here—take WisCon 2007 a step further.
Kelly Link and Laurie J. Marks on books they love and asbestos pants Chris Nakashima Brown, L. Timmel Duchamp, and K. Joyce Tsai on the volatile "Romance of the Revolution" panel, with a transcript by Laura Quilter Nnedi Okorafor-Mbachu, Naamen G. Tilahun, Catherynne Valente, Wendy Walker, and others on issues of race and gender Rachel Swirsky (and sixteen others) on how to deal with racism and sexism in writers' workshops Plus Elizabeth Bear, Rosalyn Berne, Susan Simensky Bietila, Nicola Griffith, Jacqueline A. Gross, Joan Haran, M.J. Hardman, Nora Jemison, Tom LaFarge, Mark Rich, Kate Schaefer, and Lawrence Schimel on WisCon past and future
WisCon 31 lives! Enjoy it. (Eagles not included.)
"The second volume (Wiscon 31 - 2007) continued in this style, often pairing two or three articles/responses together so that different opinions could show how the same event inspired diverse reactions. Naaman Gobert Tilahun, finding himself the only person of colour on a panel about colonialism, honestly discusses the emotional experience of taking part in the discussion, and some of the issues it raised in his mind that the rest of the panel did not necessarily take into account. A series of pieces about a controversial 'Romance of the Revolution' panel (featuring two male and two female panellists, three of whom were American, one British, all white) raise all kinds of fascinating issues: K. Joyce Tsai shares her shock and anger at the way the discussion treated 'white' and 'non-white' revolutions differently, particularly in discussing the agency of the revolutionaries. A partial transcript of the panel itself can be compared to Tsai's reactions, showing how different an unemotional view of the panel is to her self-confessed emotional reaction, though at the same time supporting her memories. In 'Science Fiction in the Year Zero' panellist Chris Nakashima-Brown makes it clear what his priorities were in the panel, while female panellist L. Timmel Duchamp sums up many of the issues that were at play during the panel and many others at Wiscon, with more general analysis of how male and female panellists often approach topics differently, and how easily panels can be hijacked in the direction of the 'View From Nowhere'; that is the assumption by white, middle class 'first world' men that their perspective on the world is the universal default and thus both neutral and comfortable to everyone. Anyone who has ever tried to discuss the messy issues of racial and gender perspectives as they pertain to SF Convention Panels would really benefit from reading Duchamp's fascinating essay, which looks at how hard it can be to maintain feminist discourse in a discussion panel, even at a feminist convention.
"Another fantastic feature of volume two was a collection of short responses collected from a variety of writers who were asked to answer the question of how to deal with racist and sexist material when faced with it in writing workshops. The variety of response were really thought-provoking and interesting. I also enjoyed Creating the 'second self': performance, gender and authorship, another brilliant essay by L. Timmel Duchamp, this one discussing the women SF writers who felt it necessary to write as if they were men, and Follow the Yellow Brick Road, a paper by Catherynne M. Valente which discusses the female heroes of Alice in Wonderland, The Wizard of Oz and The Nutcracker in relation to the myths of Inanna and Persephone, goddesses of the Underworld.
"Framing volume two are some rather light-hearted and yet utterly enjoyable
dialogues between the two Guests of Honour of Wiscon 31, Kelly Link and
Laurie J. Marks, two women who obviously respect and enjoy each other, and
whocollaborated to share their position jointly - this added a lovely vibe
to the sense of the convention, and I would personally love to see more in
the way of convention guests being encouraged to perform a shared role
rather than being treated as entirely separate entities."
read the whole review)
ISBN: 978-1-933500-20-1 (13 digit)